Is it sacrilege to declare that the best-looking film haut in Paris was shot by a double of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French capital – as well as the neoclassical edifices of Mussolini’s Rome – in calme blues and shards of light as sharp https://partage-de-fichiers35678.blogoscience.com/38939761/tout-sur-promotion-des-nouveaux-talents